Architect Aurelien Chen designed Dragon Mountain Pavilion, an installation recreating an ethereal and abstract version of a traditional Chinese landscape.

-text by the author

Above all else, this installation is a landmark placed by the roadside to draw the attention to the entrance of the Dragon Mountain Natural site (Zhulong Shan), a typical example of  “Shanshui” traditional Chinese landscape composed by mountains, forest, clouds and water.

STEELMESH JUXTAPOSITIONS CREATE BLURRY AND SUBTLE CHINESE CHARACTERS OF DRAGON MOUNTAIN NATIONAL SCENIC SPOT.
AT NIGHT, THOUSANDS OF STARS APPEAR ON THE POLES, PERFORATED RANDOMLY, AND GIVE SHAPE TO A MOUNTAIN VIBRANT WITH LIGHT
AT NIGHT, THOUSANDS OF STARS APPEAR ON THE POLES, PERFORATED RANDOMLY, AND GIVE SHAPE TO A MOUNTAIN VIBRANT WITH LIGHT
AT NIGHT, THOUSANDS OF STARS APPEAR ON THE POLES, PERFORATED RANDOMLY, AND GIVE SHAPE TO A MOUNTAIN VIBRANT WITH LIGHT
AT NIGHT, THOUSANDS OF STARS APPEAR ON THE POLES, PERFORATED RANDOMLY, AND GIVE SHAPE TO A MOUNTAIN VIBRANT WITH LIGHT
AT NIGHT, THOUSANDS OF STARS APPEAR ON THE POLES, PERFORATED RANDOMLY, AND GIVE SHAPE TO A MOUNTAIN VIBRANT WITH LIGHT
AT NIGHT, THOUSANDS OF STARS APPEAR ON THE POLES, PERFORATED RANDOMLY, AND GIVE SHAPE TO A MOUNTAIN VIBRANT WITH LIGHT

There are three different sequences of approach and just as many levels of perception in this installation. While approaching the site from the street, a vibrant mountain composed by 200 inox poles subtly appears in the distance. With speed, the poles become a single surface and the effects created by the different materials composing the poles reveal the shape of a new mountain.

WHILE APPROACHING THE SITE FROM THE STREET, A VIBRANT MOUNTAIN COMPOSED BY 200 INOX POLES SUBTLY APPEARS IN THE DISTANCE
WHILE THE VISITOR MOVES CLOSER, HE DISCOVERS A MINIATURE LANDSCAPE IN WHICH HE CAN MOVE AND STROLL
NATURAL AND ARTIFICIAL LANDSCAPE INTERLACE
NATURAL AND ARTIFICIAL LANDSCAPE INTERLACE
THE POLES BECOME A FOREST; A BLACK MARBLE RIVER INVITES THE VISITOR TO WALK TOWARDS THE REAL MOUNTAIN STANDING OUT AGAINST THE HORIZON
THE PERFORATIONS ON THE MIRROR PANELS CREATE AN INTERPLAY OF LIGHT AND SHADOW MARKING THE PASSING OF TIME

While the visitor moves closer, he discovers a miniature landscape in which he can move and stroll.

THE POLES BECOME A FOREST; A BLACK MARBLE RIVER INVITES THE VISITOR TO WALK TOWARDS THE REAL MOUNTAIN STANDING OUT AGAINST THE HORIZON

THE PERFORATIONS ON THE MIRROR PANELS CREATE AN INTERPLAY OF LIGHT AND SHADOW MARKING THE PASSING OF TIME
NATURAL AND ARTIFICIAL LANDSCAPE INTERLACE
WHILE THE VISITOR MOVES CLOSER, HE DISCOVERS A MINIATURE LANDSCAPE IN WHICH HE CAN MOVE AND STROLL
THE PERFORATIONS ON THE MIRROR PANELS CREATE AN INTERPLAY OF LIGHT AND SHADOW MARKING THE PASSING OF TIME
THE POLES BECOME A FOREST; A BLACK MARBLE RIVER INVITES THE VISITOR TO WALK TOWARDS THE REAL MOUNTAIN STANDING OUT AGAINST THE HORIZON

The poles become a forest; a black marble river invites the visitor to walk towards the real mountain standing out against the horizon. The canopies placed above the visitor’s head to represent clouds, turn out to be mirrors. In this peaceful setting, urban life goes on reflecting itself on the mirror canopies and on the surface of the poles. The perforations on the mirror panels create an interplay of light and shadow marking the passing of time.

WITH SPEED, THE POLES BECOME A SINGLE SURFACE AND THE EFFECTS CREATED BY THE DIFFERENT MATERIALS COMPOSING THE POLES REVEAL THE SHAPE OF A NEW MOUNTAIN
WHILE APPROACHING THE SITE FROM THE STREET, A VIBRANT MOUNTAIN COMPOSED BY 200 INOX POLES SUBTLY APPEARS IN THE DISTANCE
STEELMESH JUXTAPOSITIONS CREATE BLURRY AND SUBTLE CHINESE CHARACTERS OF DRAGON MOUNTAIN NATIONAL SCENIC SPOT.
THE POLES BECOME A FOREST; A BLACK MARBLE RIVER INVITES THE VISITOR TO WALK TOWARDS THE REAL MOUNTAIN STANDING OUT AGAINST THE HORIZON
THE PERFORATIONS ON THE MIRROR PANELS CREATE AN INTERPLAY OF LIGHT AND SHADOW MARKING THE PASSING OF TIME
CLOUD FLOATING ABOVE THE MOUNTAINS
NATURAL AND ARTIFICIAL LANDSCAPE INTERLACE

At night, thousands of stars appear on the poles, perforated randomly, and give shape to a mountain vibrant with light.

THE PERFORATIONS ON THE MIRROR PANELS CREATE AN INTERPLAY OF LIGHT AND SHADOW MARKING THE PASSING OF TIME
THE PERFORATIONS ON THE MIRROR PANELS CREATE AN INTERPLAY OF LIGHT AND SHADOW MARKING THE PASSING OF TIME
NATURAL AND ARTIFICIAL LANDSCAPE INTERLACE
CLOUD FLOATING ABOVE THE MOUNTAINS

Mini Bio

Aurelien Chen is a French architect and building engineer, with 15 years of experience in China. He is also partner at ZHIJIAN WORKSHOP, a multi-disciplinary design studio based in China, France, Germany.

Sketches, drawings & model

HAND SKETCHES
HAND SKETCHES

CLOUDS ARE MADE OF MODULAR TRIANGLE ELEMENTS
PLAN
EACH COLUMN HAS ITW OWN HEIGHT
CHANGES OF MATERIALS ON THE POLES RECREATE THE SHAPE OF MOUNTAINS

Facts & Credits
Project title  Dragon Mountain Pavilion
Location  Rizhao Zhulong Shan, Shandong, China
Built area  350 m²
Completion date  2019
Architect and project lead  Aurelien Chen
Overall planning  Urban and rural planning and design institute of CSCEC
Design support  Zhijian Workshop, Zhou Zhipeng (parametric design)
Client  Rizhao FaDa JiTuan
Photography  ©Aurelien Chen
Video  Frederic Henriques


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